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Captain Acton nodded.,

"But I ain't, Bill. Cross my heart, I ain't," protested Anson. "Why should I be?",

"Bill, watch out!" warned Maurice. "There's a big womper coiled on that lily-root. You're makin' right fer it.",

"Croaker, come down here, I want'a ask you somethin'." Billy's hand went into his pocket and the crow stood at attention. Then as the hand came away empty he emitted an angry croak and wobbled further along the ridge-board.

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"It's under the stove. See it?",

"Faith," sighed Harry, "ut's meself is willin' to be riskin' a little in return fer a bite to eat, fer it's fastin' long I've been an' as impty as a church, I am.",

But congratulations were not in place in such a moment as this. A fine boat of the Aurora was alongside manned by five sailors, who being clad in much the same sort of[Pg 356] apparel, carried a sort of warlike aspect as though the boat was proceeding from something heavily armed and much to be feared. Captain Acton and the Admiral sprang into her with the agility of boys, thanks to the energy infused by the apparition of Lucy waving her pocket-handkerchief, and whilst they were being swept to the brig Captain Weaver asked her master one or two questions.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.